Pastoe objects
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OBJECTS
With its “Objects” presentation during the Salone del Mobile in Milan, Pastoe will lend its unique perspective to the discussion surrounding fruitful crossovers between industrial design and art. Often such collaboration results in designs which provide commentary on social issues, such as the environment or globalisation. Dutch designers are famous for taking this type of approach. The sculptural beauty of Pastoe furniture refers back to an aesthetic artistic tradition. Geometric abstraction allows these furniture designs to function autonomously in any interior. No wonder Pastoe works together with internationally prominent architects and artists, professionals highly attuned to dimensions and use of colour.
The artistic, object-focused design language provides added value for Pastoe, with functionality and convenience always being the prime considerations. Craftsmanship in production ensures long-lasting quality. The iconic look and feel of the collection is thus expressed through enduring aesthetics. The timeless furniture does not dominate any interior, yet its powerful simplicity is immediately apparent. This quality ensures the furniture’s lasting appeal for each new generation.
This design vision is likewise expressed in Pastoe’s design showroom in Milan, a historic building in the heart of Milan’s old city centre. The clean lines of Pastoe furniture naturally inhabit the space, while their understated form serves to enhance the original charm of the vaulted ceilings and rough-hewn walls. To further emphasise the pure and timeless design language of its current collection, Pastoe will present two designs this year: the modular storage system Vision, and the Low Chair 2003, a low-slung armchair designed by the Belgian Maarten Van Severen.
