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Caterina Saban’s work emphasizes an idea of art as a form of knowledge, where the display of a tangible object becomes an appeal for new thought formulations.
Her artistic praxis belongs to the reign of metaphor and not to the one of reality promptness.
Instead, thanks to this metaphoric ability, the meaning of her work is so isolated from the rest of accidental phenomena that it presents itself with the strength of a concept that cannot call for help to the context where it is located, but only to its evocative capabilities.
In the installation Un grado dopo l’altro, space and architecture are meant as places of visual translation of a relationship with reality where light and transparency softly arrange the space, without project calculation, according to routes that are more intuitive than geometrical.